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SEIZE THE LAND BY GUN.

TURN THE LAND INTO A GUN.

POINT THE GUN AT EVERYBODY'S HEAD.

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A proposed gallery installation of fieldwork collections, post-filming performative practice work, and sensory provocations created as a response to the filming of the feature documentary Nuclear Family, on the nuclear missile silos, and haunted landscapes, of the unseeded American West.

Documentation of Road Trip Filming Stops

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Polaroid photographs

collection of 200

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Botanical Samples

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catalogued into native, foreign but benign, and invasive species

dried specimens

collection of 15

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Extraction Settlement

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paintings of aerial images of uranium and coal mines on Navajo land

acrylic on canvas

collection of 5

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A Montana Mile

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painting of the mile long toxic mining wastewaters of the Berkeley Pit

acrylic on canvas

collection of 1

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Objective Decay

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women of classical paintings are inserted into ecological catastrophe

digital collage

collection of 8

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Duck and Cover

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mid century children's books are altered to reflect the Cold War

oil pastel and ink on found image

collection of 5

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Day For Night American Century

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looking up, before a bomb is dropped

acrylic on canvas

collection of 2

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