SEIZE THE LAND BY GUN.
TURN THE LAND INTO A GUN.
POINT THE GUN AT EVERYBODY'S HEAD.
A proposed gallery installation of fieldwork collections, post-filming performative practice work, and sensory provocations created as a response to the filming of the feature documentary Nuclear Family, on the nuclear missile silos, and haunted landscapes, of the unseeded American West.
Documentation of Road Trip Filming Stops
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Polaroid photographs
collection of 200
Botanical Samples
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catalogued into native, foreign but benign, and invasive species
dried specimens
collection of 15
Extraction Settlement
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paintings of aerial images of uranium and coal mines on Navajo land
acrylic on canvas
collection of 5
A Montana Mile
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painting of the mile long toxic mining wastewaters of the Berkeley Pit
acrylic on canvas
collection of 1
Objective Decay
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women of classical paintings are inserted into ecological catastrophe
digital collage
collection of 8
Duck and Cover
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mid century children's books are altered to reflect the Cold War
oil pastel and ink on found image
collection of 5
Day For Night American Century
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looking up, before a bomb is dropped
acrylic on canvas
collection of 2
