SEIZE THE LAND BY GUN.
TURN THE LAND INTO A GUN.
POINT THE GUN AT EVERYBODY'S HEAD.
A proposed gallery installation of fieldwork collections, post-filming performative practice work, and sensory provocations created as a response to the filming of the feature documentary Nuclear Family, on the nuclear missile silos, and haunted landscapes, of the unseeded American West.
Documentation of Road Trip Filming Stops
Polaroid photographs
collection of 200
Botanical Samples
catalogued into native, foreign but benign, and invasive species
dried specimens
collection of 15
Extraction Settlement
paintings of aerial images of uranium and coal mines on Navajo land
acrylic on canvas
collection of 5
A Montana Mile
painting of the mile long toxic mining wastewaters of the Berkeley Pit
acrylic on canvas
collection of 1
Objective Decay
women of classical paintings are inserted into ecological catastrophe
digital collage
collection of 8
Duck and Cover
mid century children's books are altered to reflect the Cold War
oil pastel and ink on found image
collection of 5
Day For Night American Century
looking up, before a bomb is dropped
acrylic on canvas
collection of 2
