SEIZE THE LAND BY GUN.

TURN THE LAND INTO A GUN.

POINT THE GUN AT EVERYBODY'S HEAD.

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A proposed gallery installation of fieldwork collections, post-filming performative practice work, and sensory provocations created as a response to the filming of the feature documentary Nuclear Family, on the nuclear missile silos, and haunted landscapes, of the unseeded American West.

Documentation of Road Trip Filming Stops

Polaroid photographs

collection of 200

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Botanical Samples

catalogued into native, foreign but benign, and invasive species

dried specimens

collection of 15

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Extraction Settlement

paintings of aerial images of uranium and coal mines on Navajo land

acrylic on canvas

collection of 5

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A Montana Mile

painting of the mile long toxic mining wastewaters of the Berkeley Pit

acrylic on canvas

collection of 1

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Objective Decay

women of classical paintings are inserted into ecological catastrophe

digital collage

collection of 8

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Duck and Cover

mid century children's books are altered to reflect the Cold War

oil pastel and ink on found image

collection of 5

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Day For Night American Century

looking up, before a bomb is dropped

acrylic on canvas

collection of 2

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